Presentation - Revision history

Oshroth at 02:22, 17 March 2011

2011-03-17T02:22:15Z

131.170.90.2: /* First Presentation */

2011-03-17T01:49:58Z

‎First Presentation

220.235.33.36: /* First Presentation */

2011-03-16T08:12:06Z

‎First Presentation

220.235.33.36: /* First Presentation */

2011-03-16T08:05:47Z

‎First Presentation

220.235.33.36: /* First Presentation */

2011-03-16T07:44:06Z

‎First Presentation

220.235.33.36: /* First Presentation */

2011-03-16T06:17:13Z

‎First Presentation

220.235.33.36: /* First Presentation */

2011-03-16T06:09:36Z

‎First Presentation

114.78.189.11 at 06:02, 16 March 2011

2011-03-16T06:02:56Z

114.78.189.11 at 05:42, 16 March 2011

2011-03-16T05:42:19Z

114.78.189.11 at 05:37, 16 March 2011

2011-03-16T05:37:55Z

@@ Line 95: / Line 95: @@
 We're hoping to play test the game with a variety of members of the target audience at several points in development. That way we can take note of how they actually experience the game and see what we're doing right and where we're going wrong.
-'''30 SCEONDS'''
+'''30 SECONDS'''
 ----
@@ Line 103: / Line 103: @@
 All those interactive objects mean we also have to keep a close eye on how heavily the game wears on the hardware, particularly if we're intending it for a tablet computer. We've been looking into that quite a bit the past week or so.
 Programming the objects so that they behave the way we want them to is no doubt going to be a difficult process. We've taken note of which objects are most important to us and the game, and will focus on those at first. But yeah, we're preparing for lots of programming fun.
 	iPad
@@ Line 119: / Line 121: @@
 '''CONCLUSION (<80 words)'''
-All in all, we're very excited about making  Reverie. We're confident that we can overcome any difficulties and work hard to achieve a polished final result.
+All in all, we're very excited about making Reverie. We're confident that we can overcome any difficulties and work hard to achieve a polished final result.
 The team has already shown that they're reliable and we've each been working hard on specific tasks. We know there's going to be a lot of work in the future for us, but we're certain we can tackle it.

@@ Line 17: / Line 17: @@
 '''36 SECONDS'''
 ----
@@ Line 24: / Line 28: @@
 In terms of mechanics, our core idea is play.
-In the game, players act as a figurative guardian for the protagonist named 'Lost', this role allows the player power to interact with objects in a game scene that would be unreachable to the protagonist.
+In the game, players act as a figurative guardian for the protagonist named 'Lost', this role allows the player power to interact with objects in a game scene that would be unreachable to the protagonist.Feel for her, not yourself. iPad doesn't bring player into world enough.
 Using the touch-screen to pick up, drop, throw and interact by many other means, allows players to freely explore the scene and play with interactive objects in whatever manner they wish.
@@ Line 35: / Line 39: @@
 '''AESTHETICS (50-100 words)'''
 	Art style - 25 words
-            - cartoony
+            - subtle cartoon influences
             - shaders
             - inspiration/references
@@ Line 45: / Line 47: @@
 	Dream sequences - 25 words
             - different, unique to each other and ship
-−
 	Relevant phrases:
@@ Line 66: / Line 78: @@
 We'll be paying a lot of attention to Lost and her animations, hopefully giving her her own personality.
@@ Line 90: / Line 104: @@
 Programming the objects so that they behave the way we want them to is no doubt going to be a difficult process. We've taken note of which objects are most important to us and the game, and will focus on those at first. But yeah, we're preparing for lots of programming fun.
 	iPad
-.5D
+	Unity
 ----

← Older revision		Revision as of 08:12, 16 March 2011
Line 64:		Line 64:

	We hope to ensure the game looks great with highly developed art assets and animations, while being comfortable and functional for the player.		We hope to ensure the game looks great with highly developed art assets and animations, while being comfortable and functional for the player.
		+
		+	We'll be paying a lot of attention to Lost and her animations, hopefully giving her her own personality.

@@ Line 56: / Line 56: @@
 Our goal for this semester is to create a working prototype of our game.
 Making the base mechanics of the game intrinsically fun is a major goal for us, that's why we intend to spend a lot of time this semester perfecting the game objects and their interactivity.
-Ensuring the game looks great with highly developed art assets and animations, while being comfortable and easy to play will be key to our success.
+We hope to ensure the game looks great with highly developed art assets and animations, while being comfortable and functional for the player.
 '''32 SECONDS'''

@@ Line 39: / Line 39: @@
 	Art style - 25 words
-	Dream sequence - 25 words
+	Dream sequences - 25 words
+           - different, unique to each other and ship
 	Relevant phrases:
 		artful level design

← Older revision		Revision as of 06:17, 16 March 2011
Line 79:		Line 79:

	All those interactive objects mean we also have to keep a close eye on how heavily the game wears on the hardware, particularly if we're intending it for a tablet computer. We've been looking into that quite a bit the past week or so.		All those interactive objects mean we also have to keep a close eye on how heavily the game wears on the hardware, particularly if we're intending it for a tablet computer. We've been looking into that quite a bit the past week or so.
		+
		+	Programming the objects so that they behave the way we want them to is no doubt going to be a difficult process. We've taken note of which objects are most important to us and the game, and will focus on those at first. But yeah, we're preparing for lots of programming fun.

	Unity		Unity

@@ Line 11: / Line 11: @@
 This year we will be creating "Reverie".
-The game will progress as players move room to room using these objects to solve puzzles, revealing a powerful narrative
+Reverie  is an absorbing, interactive narrative experience for the iPad. As a production for the iPad, Reverie will focus on touch-screen mechanics that allow the player to interact with a rich physics-object-based environment. The game will progress as players guide the protagonist, Lost, from room to room using objects to solve puzzles, all the while revealing the powerful narrative and subtle yet rich backstory.
 The target audience is casual and experienced gamers between the ages of 10 and around 30 looking for a more cerebral game experience than most other touch screen games offer.
-'''31 SECONDS'''
+'''36 SECONDS'''
 ----

← Older revision		Revision as of 05:42, 16 March 2011
Line 98:		Line 98:

	'''20 SECONDS'''		'''20 SECONDS'''
		+
		+	----

@@ Line 1: / Line 1: @@
-CORE IDEAS, 30 seconds each:
+== First Presentation ==
 INTRODUCTION (50-100 words)
-Hi everyone,
+'''CORE IDEAS, 30 seconds each:'''
 We're Team Rainbow Projectiles. We're comprised of three designers: Andey, John and Carla, three artists: Jacob, Dylan and Logan and one programmer: Tim.
 This year we will be creating "Reverie".
 As a production for the iPad, Riviere will focus on touch touch-screen mechanics that allow the player to interact with a rich physics-object  based environment.
 The game will progress as players move room to room using these objects to solve puzzles, revealing a powerful narrative
 The target audience is casual and experienced gamers between the ages of 10 and around 30 looking for a more cerebral game experience than most other touch screen games offer.
 SECONDS
-MECHANICS (50-100 words)
+'''31 SECONDS'''
 In terms of mechanics, our core idea is play.
 In the game, players act as a guardian for the protagonist named 'Lost', this role allows the player power to interact with objects in a game scene that would be unreachable to the protagonist.
 Using the touch-screen to pick up, drop, throw and interact by many other means, allows players to freely explore the scene and play with interactive objects in whatever manner they wish.
 Whether a player chooses to solve puzzles and progress, or simply enjoy interactions between the physics objects is entirely up to them.
 SECONDS
-AESTHETICS (50-100 words)
+'''27 SECONDS'''
 	Story Overview - 30-50 words
 	Art style - 25 words
 	Dream sequence - 25 words
 	Relevant phrases:
 		artful level design
 		this poor little girl who IS in danger
-GOALS/MILESTONES  (50-100 words)
+'''GOALS/MILESTONES  (50-100 words)'''
 Our goal for this semester is to create a working prototype of our game.
 Making the base mechanics of the game intrinsically fun is a major goal for us, that's why we intend to spend a lot of time this semester perfecting the game objects and their interactivity.
 Ensuring the game looks great with highly developed art assets and animations, while being comfortable and easy to play will be key to our success.
 Therefore we hope to generate all of our game objects this semester, and implement them in a working test environment.
 This way we can explore the game internally rather than assess it externally and make crucial design decisions.
 SECONDS
-RISKS (50-100 words)
+'''32 SECONDS'''
 Our major long term concern for the project, is failing to handle the meaningful storytelling, character development and level design necessary to achieve the kind of enthralling player experience we're aiming for.
 Focusing on game functionality at first allows us to properly gauge our progress and potential for the game as a whole. Each member of our team has clear objectives to ensure thorough completion of each task .
 We're hoping to play test the game with a variety of members of the target audience at several points in development. That way we can take note of how they actually experience the game and see what we're doing right and where we're going wrong.
 SCEONDS
-HARDWARE/SOFTWARE (50-100 words)
+'''30 SCEONDS'''
 All those interactive objects mean we also have to keep a close eye on how heavily the game wears on the hardware, particularly if we're intending it for a tablet computer. We've been looking into that quite a bit the past week or so.
 	Unity
 		>physics and physics objects
 	iPad
 .5D
 CONCLUSION (<80 words)
 All in all, we're very excited about making  Reverie. We're confident that we can overcome any difficulties and work hard to achieve a polished final result.
 The team has already shown that they're reliable and we've each been working hard on specific tasks. We know there's going to be a lot of work in the future for us, but we're certain we can tackle it.
 Thank you.
 SECONDS